When the first notes of “Lady Marmalade” trill through the Al Hirschfeld Theatre — red dripping from floor to ceiling, the stage crowded with inset hearts — they inspire a palpable sense of déjà vu. A musical based on Baz Luhrmann’s 2001 film seems like a foregone conclusion even before it begins, treading a road … Continue reading Broadway’s ‘Moulin Rouge!’ Is a Dystopian Glitter Bomb of Empty Excess: REVIEW